COMMEMORATIVES My interest in allegorical, personalized and commemorative art began in my childhood. I had an insuperable perception of varying people’s personalities and their corresponding feelings, which often overwhelmed me. Regular study of philosophy and meditation taught me to focus these abilities and create works which celebrate others' individual journeys. I create personal landscapes and portraits of people, analogous to the resources they use while facing complex internal and external challenges. Sometimes I am asked to capture the essence of certain milestones in people’s lives such as births, retirement or the passing of loved ones. I describe this process further in my Commemoratives statement (see link above).
COMMEMORATIVES
When I make art about others, I become a story teller. My interest in allegorical, personalized and commemorative art, celebrating milestones in individual journeys began in my childhood.
Growing up, I had an insuperable perception of varying people’s personalities and their corresponding feelings which often overwhelmed me with their immensity, causing me to feel isolated. As I matured, my sensitivity was compounded with chronic illness, which pushed me to study philosophy and meditation in order to manage the often overpowering burden I felt. Regular study taught me to become aware of my many gifts and in the process to appreciate others.
In Commemoratives I use what I have learned about myself to create personal landscapes and portraits of people, analogous to the resources they use while facing complex internal and external challenges. Sometimes I am asked to capture the essence of certain milestones in people’s lives such as births, graduations, anniversaries, retirement or the passing of loved ones.
I begin with an interview to learn about the significance of an individual’s event and the people involved. I learn about their preferred colors and their emotional connection to them. We talk about objects they cherish, their philosophical beliefs and their feelings about the depicted commemoration. I often use photographs as an added conduit of ideas. During this time, I connect the dots and from the mélange of ideas, a firm understanding of the commemoration emerges.
In these compositions, I use mimetic, harder-edged shapes and images to contrast them against melded color fields to create tension; static vs. active. Sometimes I paint transparent, stenciled layers of epistolary images, depicting them in values close to the background color to add movement and depth in the painting. Frequently, a singular element develops into a focal point of the piece to espouse the subject itself.